![]() ![]() The detail with which Sanderson explores the hows and whys of allomancy in the novel, setting up a crescendo of action and adventure by its end, is a solid illustration of his own “First Law of Magics,” which posits that a writer’s capacity to resolve a story’s conflict using magic is directly correlated with readers’ understanding of how that magic works. The 2006 epic fantasy follows a pair of allomancers-individuals who ingest small amounts of metal to fuel magical abilities-as they rebel against an immortal ruler’s thousand-year reign. With Mistborn: The Final Empire, Sanderson popularized his approach to crafting complex magic systems, in which the rules that govern the extraordinary have more in common with a chemical equation than with a wave of a wand. Now, he’s one of the genre’s most beloved-and prolific-authors. Mistborn: The Final Empire wasn’t Sanderson’s first novel to find a publisher-that was 2005’s Elantris-but it was the book that defined his approach to writing fantasy and set him on a path toward widespread recognition. The sun shines fitfully under clouds of ash. ![]() A thousand years ago evil came to the land and has ruled with an iron hand ever since. Brandon Sandersons epic fantasy trilogy overturns the expectations of readers and then goes on to tell the epic story of evil overturned in a richly imagined world. For years, Brandon Sanderson spent his nights behind the desk at a Provo, Utah hotel, churning out manuscripts that he hoped one day might take their place on shelves. Resumen de MISTBORN BOOK ONE: THE FINAL EMPIRE. ![]()
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